For some of the girls more than others, there’s an ample amount of character development to be found, and with the low, low standards that have been set by other shows, I can see most if not all of these characters potentially playing the lead role.Įverything starts with Karen, and to me, she was the weakest link in the group. Moving on to the characters, I think the cast is actually quite comparable to that other music anime, Love Live!. (from left to right) Mahiru, Maya, Claudine, Hikari, Karen, Nana, Futaba, Kaoruko, and Junna on the bottom left In short, the story is not without its share of flaws, but at the same time, it’s original and fresh and that touch of the unexpected helps make Shoujo☆Kageki Revue Starlight a spectacle that definitely deserves some more attention. Despite all of the battles, there’s still plenty of comedy to be found here (at least for the first half of the season), so you also get a lot of the positive qualities that you’d find in other music anime. On the flip side, the side stories that involve many of the other girls are straightforward and easy to follow, and you have that natural drama and big personalities that create some really entertaining moments. To me, they felt drawn out and like you could’ve condensed them into a single episode, though, that final episode sure was something else. Everyone understands something as simple as sword fights and the desire to be the best, but not everyone will quite understand or be receptive to how the final couple of episodes unfolded. While I appreciated the originality of the story, I have to admit that part of me liked the audition process more than the story of Karen and Hikari’s journey.
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“ From their childhood promise to become stars together to the performance of Starlight, their connection is on full display, and while I was lukewarm to them as individual characters, together, the pairing is more than the sum of its parts.“ I’m talking about stuff like time loops, symbolism, and tragedy, and the importance of that Starlight performance can’t be understated. The first half of the season seems like your typical music anime-with the girls building towards their performance at the upcoming Seishou Festival on one hand, and the competition between the girls in order to become the Top Star on the other-but episode seven was a game-changer, and from that point on, the story opened up and became a lot more complex and intriguing than what you’d typically find in other music anime. For a crash course on the subject, you can check out this helpful little guide, so let’s get things started.Īt first glance, it’s hard not to dismiss Shoujo☆Kageki Revue Starlight as just another music anime such as Love Live! or The It has the singing and dancing that we’ve come to expect in such an anime (although in this anime, most of that takes place in rehearsals), but underneath that polished exterior lies a surprisingly deep story that’s pretty unexpected. In this review, I won’t be talking that much about how closely this shows ties into Japanese musical theater, simply because I just don’t know all that much about it.
The girls and other Stage Girls will compete in a mysterious audition process to gain acceptance into the revue.
But the cogs of fate turn, and the two are destined to meet again. Hikari has transferred schools and is now away from Karen. Karen is very enthusiastic about the lessons she takes every day, holding her promise close to her heart. Time passes, and now the girls are 16 years old. Karen and Hikari make a promise with each other when they were young: one day, they’ll stand on the Starlight stage together.
Synopsis: Starlight is a song and dance revue troupe loved throughout the world.
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